Alexandra Keddie - Class of 2009
Alexandra is a Foundation Alumna and claims that
this in itself is the fulfilment of a dream. Starting with QACI she was indeed
part of something special – a member of a unique flock of Geese who navigated
the way forward for many to follow. Alexandra graduated in 2009 after
completing her IB Certificate and developing a signature creative identity in
Theatre.
Alexandra recalls a quote: “How do you make
God laugh? Tell him your plans.” and relates it to her idea of where she
intended to go after QACI. A five year business plan as such … however now, six
years on, not one part of the initial plan has been realised. Alexandra is still
aggressively pursuing a career in the performing arts; however, with more
experience and wisdom learned in part through her time at QACI, she now knows
the value of self-belief, grit, and authenticity. Take a look at Alexandra’s
story …
“I
went straight from QACI to a full time musical theatre course at Harvest Rain
Theatre Company (Brisbane). I didn’t receive an offer from Western Australian
Academy for Performing Arts (WAAPA), and I was devastated. I remember so
clearly entering Year 12 knowing I was going to audition for WAAPA and how
desperately I wanted to go. I foolishly thought that the girl I needed to be
was not the one I was and so I consciously and wilfully adjusted my natural
tendencies (which I consider messy, clumsy and perhaps a little obnoxious) to
become sweeter, more graceful … lovelier. I started writing in pink pen and
made my handwriting cursive; I dyed my hair; wore more make-up and went on a
‘health-kick’. I had such a clear idea of who I wanted to be and I embodied
that in full. Out of all of this emerged fear. I was so self-conscious and
self-aware, caught up in who I was trying to be, that I sacrificed presence.
My
time at Harvest Rain was a struggle. I knew that I wanted to do something
significant and be impactful but every time I’d get up to perform I was
crippled with self-doubt and such deep dissatisfaction. I looked for validation
and acceptance elsewhere, not from within, and those early years were
difficult. I kept going (grit is real and it works!) and started volunteering
in production roles and, with the well-rounded experience I had from studying
Theatre at QACI, I began to thrive off-stage and learned so much more about how
theatre is devised; the stuff that happens before, during and following
performance.
Next:
Melbourne. This is where I currently live, work, dream, and create.
A
few months after arriving in Melbourne I received a call from my cousin: “Al,
we have a girl on Offspring who performs my character’s inner monologue on set,
would you like to be that girl?” I remember this day clearly; it was my 21st
birthday and I had just been fired from my bartending job so my response was
fairly predictable: “Yep, I reckon I’m free.” And thus began my first stint on
a professional TV film set. What started during Season 4, continued through
Season 5 and into Season 6. My role is very technical and for that I’m
thankful; I’ve learned how a scene is shot; how quickly and precise the
objectives of the team are executed, not to mention being able to watch highly
skilled actors like Deborah Mailman, Kat Stewart, and Patrick Brammall in
action.
The
months rolled on as did countless emails back and forth to agents; enquiring
after roles for this or that; writing, writing, writing. Then a realisation
dawned – I would continue to write, however not emails to agents – instead I
would write for me. Authentically, and with purpose.
I
wrote the first draft of “I see Me and Meryl Streep” in a weekend and it was (truthfully
?) … really bad! At the time I didn’t think that way, but on reflection I now
know there was a lot of learning to be mastered. I kept editing, asked for a
lot of help from others and over a period of 10 months my writing morphed into
a show I have performed at various Cabaret festivals. I feel fulfilled,
challenged to keep on keeping on, in control, and above all happy.
I
was now on my way to bridging the gap that emerges between not believing you’re
good enough to knowing that you’re good enough. I had created something I
believed in. I was on my way! And alongside to keep me company were the
accumulated experiences of life. Things like performing in musical theatre; TV
film training; a memory like an elephant; publicity training; mimicry; and,
critical and creative learning at QACI in English and Theatre have all helped
me set and reach my goals.
So,
right now, I’m in what I call my transitional phase! I’ve reached this point
not because I’m a fabulously famous actor (!) and I need a new challenge (!!),
it’s because I now know what I can do and what I have to offer. I recently
heard a quote that sums up this transitional phase: “Don’t try to know who thou
art, long has this idea tormented thee. It is much better to know what you can
do, and do it like Hercules.”
I have
come a long way from the early years after QACI. I’m trying new things that I
formerly rejected in an effort to stick to a plan; opportunities that I had
missed, not because I didn’t want them – it was simply because I didn’t see
them. I reflect now on the untaught lessons at QACI – those that are intrinsic
to being part of its community – the value and importance of staying true to
yourself; work hard as opposed to hard work; embrace opportunities; and follow
your creative heart.